Up the scale on the otonality, down on the utonality

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A variation on the Bassoon solo.

Making the 13 more clear with some dry spring percussion

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There is nothing like a little percussion to get the beat straight. It's in 13, with three subdivisions of 3 and two of 2. These five subdivisions are randomly mixed up, sometimes it's 3 3 3 2 2, sometimes 3 2 3 3 2, and so on.

Shorter Springs

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The shorter springs sound more like steel drums. They appear about 1/4 of the way in echoing the longer springs.

Some Negative Space

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Each instrument can chose what to play, or if to remain silent. When they all chose to be quiet at the same time, we get negative space.

Getting closer

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Still working on an escalation of complexity problem. Soon the bassoon will be set free to explore more territory.